Manchuria 1941: Caught sleeping with his Japanese major's mistress, Manchurian collaborator Tung Fei (Jackson Liu Hsiu-hsien) fatally shoots the man and flees for his life. Overcome by fatigue after hours of travel on horseback, Tung eventually awakens to find himself under the care of hunter Suen (Dick Wei) and his daughter, Ironic (Hsu).

Bai Yide is a young man living alone. He works at a bookstore and derives sexual pleasure by stealing and wearing women’s underwear. One day, he receives a DVD in which his activities have been recorded and he becomes anxious.

An incident brings a mid-aged Taiwanese woman and a young Filipino guy together. Although they can barely communicate with each other in language, she takes care of him out of instinct before her self-consciousness gets in the way to define what that ambiguous instinct is.

Even in modern-day Taipei, women feel the societal pressure to get married and have children before the clock runs out. Thankfully, there is a solution: freeze your eggs and prolong your fertility until the right one comes along! Starring Ariel Lin, the film is a glimpse of what millions of working women struggle with: finding the balance between pursuing a career and marriage.

A Taiwanese high school baseball team travels to Japan in 1931 to compete in a national tournament.

General Yu is executed after having been accused of treason by the powerful eunuchs, and his children will be deported. Eunuchs plotting to kill even the children, and prepare an ambush on Dragon's shelter in the middle of the desert. There are other guests, who are also interested in the deal.

A lurid fantasy of wounded flesh and accursed lives that entwine and separate in a building run by a landlord (Simon Yam), who seeks to find a particular type of tenant for the property he inherits from his relatives. Driven by his desire of peeping into the darkest aspects of human nature, what he sees through the eyes of the omnipresent cameras ain’t pretty… but it gives him the wry, abject satisfaction of a dark god lording over and leering at the souls of the damned, his imagination hungering toward them.

They live in an old house on the fringe of Taipei City: Rat and his elder gay brother Shanghe. Two brothers look for jobs to survive while search for themselves and long for a foothold in life. The younger works at market where he meets a mute woman who gets up to all sorts of craziness. The elder is attracted to a nightclub dancer and finds himself drawn into shifty business.

On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they'll ever be able to say goodbye.

STAND is a high concept, micro budget thriller along the lines of OPEN WATER, following two American brothers traveling through Vietnam who get stuck on top of land mines when they unwittingly walk into one of the many undiscovered mine fields left after the war.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

After the death of his master, martial arts student Tong Huo-wan travels with his adoptive family to seek redress from the man responsible but finds himself torn between righteousness and filial piety after becoming entangled in a feud between a local clan and gangsters.

There are three stories of women and men: in "A Time for Love" set in 1966, a soldier searches for a young woman he met one afternoon playing pool; "A Time for Freedom," set in a bordello in 1911, revolves around a singer's longing to escape her surroundings; in "A Time for Youth" set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it's cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.

The King of Fighters movie will introduce a new science fiction spin into the setting established in the games universe by following the surviving members of three legendary fighting clans who are continually whisked away to other dimensions by an evil power. As the fighters enter each new world they battle that universes native defenders, while the force that brought them seeks to find a way to invade and infect our world.

Kai (Jack Yao), who works at his parent's noodle shop by day and spends his nights in a bookstore to learn French, decides to go to Paris after his girlfriend, who recently left for Paris, dumps him by phone. Then the local neighborhood mafia boss offers Kai a free plane ticket to Paris if he takes a mysterious package with him.

A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparkles a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.